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Updated: May 2, 2025
We are disagreeably reminded by every portion of the surface that Lionardo's subtle play of tones and modulated shades, those sfumature, as Italians call them, which transfer the mystic charm of nature to the canvas, were as yet unknown to the great draughtsman. There is more of atmosphere, of colour suggestion, and of chiaroscuro in the marble tondi described above.
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