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And yet, the compositions of the middle period, the one that follows immediately the early, immature, Chopinesque period, are scarcely less rich and refined, scarcely less important. No doubt the influence of Scriabine's masters, though considerably on the wane, is still evident. The "Poème satanique" refines on Liszt.
And we must acknowledge that "les lettres et les arts ont aussi leurs emeutes et leurs revolutions," and accept the inference of one of the Parisian literati, that "l'esprit a toujours quelque chose de satanique."
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