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"Why," asks the Duchess of Malfi, "do we grow fantastical in our death-bed? Do we affect fashion in the grave?" A more trenchant criticism than this could hardly have been pronounced upon Andrea Contucci di Monte Sansavino's tombs of Ascanio Sforza and Girolamo della Rovere, if Bosola had been standing before them in the church of S. Maria del Popolo when he spoke.
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