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In the first place, Herr Hugo von Hofmannsthal, the poet of Elektra and Der Rosercavalier, conceived the unhappy idea that Molière's Le Bourgeois Gentilhomme might be butchered to make a Straussian holiday and serve merely as a portico for the one-act opera that follows. But the portico turned out to be too large for the operatic structure.
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