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Updated: May 28, 2025
Her fear in the cave, before Lazaro di Roio, is the most ghastly and accurate rendering of that sensation that, I am sure, has been seen on any stage. She flings herself upright against a frame of wood on which the woodcarver has left his tools, and as one new shudder after another sets her body visibly quaking, some of the tools drop on the floor, with an astonishing effect on the nerves.
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