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Updated: May 29, 2025
It is worth noting, however, that he looked forward rather than back, towards the coming realism, not to the incurable pseudo-romanticism of the late eighteenth century, in his instinct to base his happenings upon the bedrock of truth the external truth of scene and character and the inner truth of human psychology.
There is no sentimentalizing, no breaking down of class distinctions; the good-for-nothing marries his lady-love, but she is of his own rank. The pseudo-Romanticism of modern novels is avoided; the hero neither wins a kingdom nor is he the long-lost heir of some potentate he remains just what he was, a lovable good-for-nothing.
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