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Updated: May 3, 2025
But though Albertinelli passed off his pseudo-hostdom with bravado, talking very wittily about it, the artistic vein was too strong within him to be subdued; he soon gave up the flask and returned to the brush, for in 1509, when his quondam pupil, Francia Bigio, was busy at the Servi, we again find Mariotto's hand in a painting of the Madonna.
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