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It went to countrie playces. London, apparently, even in those days, did not breed joy in life. The Morris sought and found its proper home in the fields and by the wayside. Happy carles danced it to the glory of God, even as it had erst been danced to the glory of Allah. It was no longer, of course, an explicitly religious dance. But neither can its origin have been explicitly religious.
'The Kynge, it seems, 'was pleased by the bels and sweet dauncing. Certain of his courtiers 'did presentlie daunce so in open playces. No one with any knowledge of the English nature will be surprised to hear that the cits soon copied the courtiers. But 'the Morrice was not for longe practysed in the cittie.
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