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But the attitude taken is quite other than it used to be, and the change that has come over French æsthetic activity in general can be noted in very sharp definition by comparing a book illustrated twenty years ago by Albert Lynch, with, for example, Maupassant's "Pierre et Jean," the distinguished realism of whose text is adequately paralleled and the implied eulogy is by no means trivial by the pictorical commentary, so to speak, which this first of modern illustrators has supplied.
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