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Updated: May 1, 2025
Then the wonders of antique and modern art which the Moro had collected from all parts of Italy, the paintings of Leonardo and the gems of Caradosso, the Greek marbles and Roman cameos, Lorenzo da Pavia's rare instruments and Antonio da Monza's miniatures, were scattered to the winds.
Wherever architectural details, such as porticoes or columns, were introduced, these dropped the old designs of "pointed" style or battlements, and took on the classic or the high Renaissance that ornaments the façade of Pavia's Certosa.
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