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In the same year, Abraham Jacob Paperna published his essay in literary criticism, and the young Smolenskin, in an article appearing at Odessa, attacked Letteris for his artificial, insincere translation of Goethe's Faust into Hebrew. On all sides there blew a fresh breath of realism, and the critical spirit was abroad.
In them the future prominent scientists, scholars, and litterateurs were reared, and there the foundations were laid for the activities of Goldfaden, Gurland, Harkavy, Kantor, Landau, Levanda, Mandelkern, Paperna, Pumpyansky, Rosenberg, Steinberg, and others. Their fate was that of Mendelssohn's Bible translation. The end became a means, the means, an end.
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