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Updated: May 23, 2025
Mildenburg played it as a mixture of Lady Macbeth and Queen Gertrude, Hamlet's mother. And when she sang fortissimo all the Strauss horses and all the Strauss men were as supine, tonally speaking, as Humpty Dumpty. Her voice is of a sultry tonal splendour. The two new opera-houses also theatres are set in a park, as should be art and opera houses.
The Mildenburg is a giantess, with a voice like an organ. She is also an uneven singer, being hugely temperamental. The night in question she was keyed up to the occasion, and for the first time I realised the impressiveness of the part of Klytemnestra, its horrid tragic force, its abnormal intensity, its absolute revelation of the abomination of desolation.
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