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Updated: May 25, 2025
I have stressed the example of the Tunisian Kheir-ed-Din rather than the better-known Turkish instances because it illustrates the general receptivity of mid-nineteenth-century Moslem liberals to Western ideas and their freedom from anti-Western feeling.
With the passing of the mid-nineteenth-century writers, the old movement waned, and in the field of Irish letters there was, in the phrase of a famous bull, nothing stirring but stagnation.
Is there any more substantial solace in it than in the "Oh, may I join the Choir Invisible" aspiration of mid-nineteenth-century positivism? Far be it from me to speak contemptuously of that aspiration.
The principal development of mid-nineteenth-century fiction had been, as we have seen, in the direction of the novel proper the character-study of modern ordinary life.
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