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Updated: June 4, 2025
Both Beccafumi and Peruzzi felt the cold and manneristic Roman style of rhetoric injuriously. To mention the remaining schools of Italy in detail would be superfluous. True art still flourished at Ferrara, where Garofalo endeavoured to carry on the Roman manner of Raphael without the necessary strength or ideality, but also without the soulless insincerity of the mannerists.
In his youth he was nicknamed "the ox," partly from his slowness, but possibly also for his study of long-forgotten methods, by which he arrived at the decision that reform was necessary to counteract the independence of the mannerists.
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