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Updated: May 19, 2025
In the fagade of his masterpiece, the Tempio Malatestiano at Rimini, that beautiful unfinished temple where the gods of Greece seem for once to have come to the cradle of Jesus with something of the wonder of the shepherds who left their flocks to worship Him, Leon Alberti has taken as his model the arch of Augustus, that still, though broken, stands on the verge of the city in the Flaminian Way; but as though aware at last of the danger of any mere imitation of antiquity such as that, he has here contrived to express the beauty of Roman things, just what he himself had really felt concerning them, and has combined that very happily with the work of the age that was just then passing away; thus, as it were, creating for us one of the most perfect buildings of the fifteenth century, very characteristic too, in its strange beauty, as of the dead new risen.
The walls of the church were, however, stripped in 1449 by Sigismondo Malatesta of Rimini when he was building, or rather encasing, the church of S. Francesco in Rimini with marbles, and turning what had been a Gothic church of brick into what we know as the Tempio Malatestiano, by the hands of Alberti.
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