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Witness the mill on fire in 'The Cloister and the Hearth'; the lark in exile in 'Never too Late to Mend'; the boat-race in 'Hard Cash'; the scene of Kate Peyton at the firelit window, and Griffith in the snow, in 'Griffith Gaunt. There are a thousand bursts of laughter in his pages, not mere sniggers, but lung-shaking laughters, and the man who can go by any one of a hundred pathetic passages without tears is a man to be pitied.
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