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Updated: May 7, 2025
This is a crude description in which much is left out, but it will serve to enable the reader to understand how passages widely different in character are bound together into a coherent whole by the composer continuously leading the ear to expect something that something being the original key-chord, and, while offering many things, only finally satisfying the ear's craving when the movement is coming to a finish.
And anyone can try for himself on a piano, and find out that this chord makes the longing for the tonic chord the chord of C more imperious and the feeling of rest satisfying in proportion when the last chord is reached. But if after this a seventh on the dominant is played, followed by the original key-chord then we are home once more in the original key.
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