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Updated: May 23, 2025
There is little of the personal element to be exploited in dealing with the sculptors in the Middle Ages. Until the days of the Renaissance individual artists were scarcely recognized; master masons employed "Imagers" as casually as we would employ brick-layers or plasterers; and no matter how brilliant the work, it was all included in the general term "building."
The theory is that two kinds of influence were brought to bear to create English "imagers." In the first place, goldsmiths and ivory carvers had been making figures on a small scale: their trade was gradually expanded until it reached the execution of statues for the outside ornament of buildings.
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