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Loomis' "Epitaph on a Virgin" must be classed as a success. Indeed, it reaches positive grandeur at its climax, wherein is woven the grim persistence of a tolling bell. In the same style is a clever setting of Ben Jonson's much music'd "To Celia." In German-tone are his veritably magnificent "Herbstnacht" and his "At Midnight," two studies after Franz.
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