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Updated: May 16, 2025
Its quarrel with sacerdotalism was mainly directed against the unethical tabu-morality of the priesthood; the revolt was grounded in a lofty moral idealism, which found expression in a half-symbolic vision of a coming state in which might and right should coincide.
The chief defects in the work are the overcrowding of the composition, and the bad values of distance, caused in a great measure by the gold background. Signorelli's treatment is too realistic, his figures are too solid and too true to life, to bear the decorative background so suitable to the flat, half-symbolic painting of the Sienese school.
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