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Updated: May 3, 2025
One requires the actual objects to impinge on the soul, the architectural glories and industrial splendours to touch through bodily vision. One realises it so vaguely, and fails to get the half-aesthetic, half-religious, uplifting that concrete visualisation should supply.
The force of our approval of practical fitness and economy in things rises into an appreciation that is half-aesthetic, and which becomes wholly so when the fit form becomes fixed in a type, to the lines of which we are accustomed; so that the practical necessity of the form is heightened and concentrated into the aesthetic propriety of it.
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