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Updated: May 24, 2025
After that, Citizen HACQUINS made, in the thickness of the wood, several grooves at some distance from each other, and extending from the upper extremity of the bend to the place where the pannel presented a more level surface. Into these grooves he introduced little wooden wedges; he then covered the whole surface with wet cloths, which he took care to remoisten.
"Although the mechanical labour is subdivided into several operations, it was wholly intrusted to Citizen HACQUINS, on whose intelligence, address, and skill, it is our duty to bestow every commendation." "The picture represents the Virgin Mary, the infant Jesus, St. John, and several other figures of different sizes.
It required all the address and patience of Citizen HACQUINS to leave nothing foreign to the work of the original painter: at length the outline of RAPHAEL was wholly exposed to view, and left by itself."
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