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Updated: May 16, 2025
It was about that time that my brother Jean came to Venice with Guarienti, a converted Jew, a great judge of paintings, who was travelling at the expense of His Majesty the King of Poland, and Elector of Saxony. It was the converted Jew who had purchased for His Majesty the gallery of the Duke of Modena for one hundred thousand sequins.
I likewise left in Venice my brother Jean, who had returned to that city after having travelled through Italy with Guarienti. He was on the point of going to Rome, where he remained fourteen years in the studio of Raphael Mengs. He left Rome for Dresden in 1764, where he died in the year 1795. Baletti started before me, and I left Venice, to meet him in Reggio, on the 1st of June, 1750.
It was about that time that my brother Jean came to Venice with Guarienti, a converted Jew, a great judge of paintings, who was travelling at the expense of His Majesty the King of Poland, and Elector of Saxony. It was the converted Jew who had purchased for His Majesty the gallery of the Duke of Modena for one hundred thousand sequins.
Guarienti and my brother left Venice for Rome, where Jean remained in the studio of the celebrated painter Raphael Mengs, whom we shall meet again hereafter.
Guarienti and my brother left Venice for Rome, where Jean remained in the studio of the celebrated painter Raphael Mengs, whom we shall meet again hereafter.
I likewise left in Venice my brother Jean, who had returned to that city after having travelled through Italy with Guarienti. He was on the point of going to Rome, where he remained fourteen years in the studio of Raphael Mengs. He left Rome for Dresden in 1764, where he died in the year 1795. Baletti started before me, and I left Venice, to meet him in Reggio, on the 1st of June, 1750.
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