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Swarthy boys and dark-eyed Madonnas, staring at you from one corner of the studio, suggested Murillo; oily brown shadows of faces with a lurid streak in the wrong place, meant Rembrandt; buxom ladies and dropiscal infants, Rubens; and Turner appeared in tempests of blue thunder, orange lightning, brown rain, and purple clouds, with a tomato-colored splash in the middle, which might be the sun or a bouy, a sailor's shirt or a king's robe, as the spectator pleased.
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