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Such is this Renaissance art of medals, this side branch of the great realistic portraiture in stone of the Benedettos, Desiderios, and Rossellinos; a perfect thing in itself; and one which, if we muse over it in connection with the more important works of fifteenth century sculpture, will perhaps lead us to think that, as the sculpture of Antiquity, in its superb idealism, its devotion to the perfect line and curve of beauty, achieved the highest that mere colourless art can achieve thanks to the very purity, sternness, and narrowness of its sculpturesque feeling so also, perhaps, modern sculpture, should it ever re-arise, must be a continuation of the tendencies of the Renaissance, must be the humbler sister of painting, must seek for the realistic portrait and begin, perhaps, with the realistic medal.
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