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Updated: June 10, 2025
Recently our playwrights have shown a tendency toward more quiet curtain-falls. The exquisite close of the first act of The Admirable Crichton was merely dreamfully suggestive of the past and future of the action; and the second act ended pictorially, without a word.
During the intermission, the minds of the spectators will naturally dwell upon the scene that has been presented to them most recently. If they think back toward the beginning of the act, they must first think through the concluding dialogue. This lends to curtain-falls a special importance of which our modern dramatists never fail to take advantage.
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