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It is the study of this conventional-natural which enables the mime to accomplish remarkable feats; combining it with simple descriptive movements, and a few of the gestures still purely conventional in England, Signor Rossi, in A Pierrot's Life, was able to delight our audiences by his dumb-show narration of the complicated tale of the two pigeons, and Signora Litini in the same piece showed with subtlety a whole gamut of emotions.
Moreover, on account of the lack of speech the plastic art of the mime involves great exaggeration in the conventional-natural gestures and also in the movements and facial expression intended to represent those mechanically caused by emotion.
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