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Updated: May 1, 2025
Its treatment is beautifully educated and its effect refined, chaste, and elevated in an extraordinary degree. No master ever steered so near the reef of "clock-tops," one may say, and avoided it so surely and triumphantly. The figure is light as air and wholly effortless at the same time.
His groups are not essentially "clock-tops," and the work of perhaps the greatest artist, in the line from Jean Goujon to Carpeaux can hardly be used to point the moral that "clock-tops" ought to be good. Cellini's "Perseus" is really more of a "parlor ornament" than Barye's smallest figure.
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