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Every device was resorted to that could lend novelty to the scenes; in Carlo Noci's Cintia the heroine returns home disguised as a boy to find her lover courting another nymph; in Francesco Contarini's Finta Fiammetta , on the other hand, the plot turns on the courtship of Delfide by her lover Celindo in girl's attire; while in Orazio Serono's Fida Armilla we have the annual human sacrifice to a monstrous serpent all of which later became familiar themes in pastoral drama and romance.
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