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The story, which resembles that of Cazza's Erlusto, is thus of a simple order, and it is chiefly in the composition that the likeness of the play to the regular pastoral is seen. What the author intended for the middle three acts it is hard to say, since the action at the opening of the fifth is precisely at the point at which the first left it.
Epicuro's Mirzia tends towards the mythological drama; the Silvia written by one Fileno, which, like the Amaranta, turns on the temporary estrangement of two lovers, introduces considerable elements from the rustic performances; in Cazza's Erbusto the amorous skein is cut by the discovery of consanguinity and an ἀναγνώρισις after the manner of the Latin comedy.
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