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Updated: May 15, 2025
Along with it I show the tonal material of the Tinguian song arranged in corresponding sequence. It will be seen that every note in the Japanese scale is found also in the Tinguian, though not always in the same octave. All of the Tinguian tones are found in the Japanese scale except the C-flat and D-flat. These exceptions are shown with their stems turned down.
Arrange the various tones of this melody in any order that we will, we cannot make them conform to any diatonic scale used in modern music. If, however, we ignore the C-flat, which occurs twice in the song, it gives us an incomplete ascending melodic-minor scale in D-flat. But the song is not minor in mode. It is distinctly major in tonality.
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