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These various rimes, except the tercet, are found in La Moza de Cántaro, but in this rule, as in others which he prescribes, Lope does not follow his own precepts. The redondilla is far more common than any other, though the romance is frequently used.
More violent than Don Diègue, who is restrained by the decorum of the French classic theater, more tearful than Don Diego of las Mocedades, who, after a passionate soliloquy, rather coolly tests the valor of his sons, ending by biting the finger of "el Cid," Don Bernardo appears first upon the stage in tears and frequently, during the only scene in which he figures, gives way to his grief.
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