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Updated: August 20, 2024
Though there is no gripping force of themal idea, the melodies are all of grateful charm, and in the perfect round of rhythmic design we may well be content. The original dance recurs with a full fine orgy of hostile euphony. III. Adagio. Feierlich, awesome indeed are these first sounds, and we are struck by the originality of Bruckner's technic.
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