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If we make Don Juan the impersonation of Lope's idea of chivalry, we may well interpret el Conde and Doña Ana as representing his appreciation of his more sordid contemporaries; both are actuated by motives of interest and are not scrupulous enough to conceal it. The poet is far too discreet to hold either up to ridicule, yet he makes each suffer a keen rebuff.
Pereda's language is academically correct, with some of the flavor of Cervantes; but his thought is often ponderous, or even obscure. He is at his best when he pictures the uncouth homely life of his highland peasants or simple fisher-folk. This he does with the truthfulness of the most scrupulous realist, but without stooping to pornographic detail.
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