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Updated: January 13, 2025
Gounod has, in part, applied this principle in "Faust." All opera-goers will remember the intense dramatic effect arising from the recurrence of the same exquisite lyric outburst from the lips of Marguerite. The peculiar character of Wagner's word-drama next arouses critical interest and attention. The composer is his own poet, and his creative genius shines no less here than in the world of tone.
But all opera, however it may stray from the fundamental idea, suggests this dramatic element in music, just as mere lyricism in the poetic art is the blossom from which is unfolded the full-blown perfection of the word-drama, the highest form of all poetry.
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