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It then passed a succession of climaxes in the masterpieces of Lionardo da Vinci, Michelangelo, Raphael and Titian, and thence descended gradually to the miserably low level of the eighteenth century. It is easy to trace the chief objects which painting had in view in its successive phases. Tradition, Reality and Illusion were the three. Cimabue was still a Traditionist.
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