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Updated: May 11, 2025
This is a remarkably clever piece of writing, which, while it lacks the Brahmsian trade-mark of thirds in the bass, has much of that composer's best manner, less in his tricks of speech than in his tireless development and his substitution of monumental thematicism for lyric emotion. In MS. is also a prelude to Goethe's "Faust" for full orchestra.
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