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Updated: May 15, 2025
Stephen Phillips has not learned this lesson, and the verse that he has written in his plays is the same verse that he used in his narratives, Marpessa and Christ in Hades. It is great narrative blank verse, but for dramatic uses it is too elaborate. Mr. Mackaye has started out on the same mistaken road: in Jeanne d'Arc his prosody is that of closet-verse, not theatre-verse.
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