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The rhythm is always simple and strongly accented, it is true; but the ear-filling sonority, the variety of female rhymes, and the simple directness of expression cannot be echoed by our muffling consonants, our endings in ing and ed, and a-s, the-s, and of the-s. For example, the stanza, in which, to speak of nothing else, there are thirteen s-s to five in the original.
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