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Updated: July 27, 2025
Brilliancy and lavish display of sparkling jewels, set as thickly as possible without reference to a general scheme of composition, was the standard of beauty; and it must be admitted that, with such stones available, no more effective school of work has ever existed than that of which such works Charlemagne's crown, the Iron Crown of Monza, and the crown of King Suinthila, are typical examples.
The crowns, studded with jewels, were suspended before the altar by jewelled chains, and often a sort of fringe of jewelled letters was hung from the rim, forming an inscription. The votive crown of King Suinthila, in Madrid, is among the most ornate of these.
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