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Updated: May 27, 2025
From the times of the ancient Greek and Roman sculptors to our own, no modern carver has equalled the beautiful and difficult works that they executed in their bases, capitals, friezes, cornices, festoons, trophies, masks, candelabra, birds, grotesques, or other carved cornice-work, save only Simone Mosca of Settignano, who in our own days has worked in such a manner in those kinds of labour, that he has made it evident by his genius and art that all the diligence and study of the modern carvers who had come before him had not enabled them up to that time to imitate the best work of those ancients or to adopt the good method in their carvings, for the reason that their works incline to dryness, and the turn of their foliage to spikiness and crudeness.
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