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It is a veritable Appassionata, but its theatre is cosmic and no longer behind the closed doors of the cabinet of Chopin's soul. The Seelenschrei of Stanislaw Przybyszewski is here, explosions of wrath and revolt; not Chopin suffers, but his countrymen. Kleczynski speaks of the three tones at the close. They are the final clangor of oppressed, almost overthrown, reason.
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