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The other Venetian room is almost wholly devoted to portraits, chief among them being a red-headed Tintoretto burning furiously, No. 613, and Titian's sly and sinister Caterina Cornaro in her gorgeous dress, No. 648; Piombo's "L'Uomo Ammalato"; Tintoretto's Jacopo Sansovino, the sculptor, the grave old man holding his calipers who made that wonderful Greek Bacchus at the Bargello; Schiavone's ripe, bearded "Ignoto," No. 649, and, perhaps above all, the Moroni, No. 386, black against grey.
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