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Updated: May 29, 2025
The long introductory story of Tristram's youth must not mislead us, nor all the minute narrations of the killing of dragons and the drinking of love philters: Gottfried, we must remember, was certainly no deliberate innovator, and these thing's are the mere inevitable externalities of mediæval poetry, preserved with dull slavish care by the re-writer of a well-known tale, but enclosing in reality something essentially and startlingly modern: the history of a passion and of the spiritual changes which it brings about in those who are its victims.
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