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Updated: May 17, 2025
The same scenic arrangement may well have been used in the Orfeo, the lower stage representing Hades ; while Niccolò da Correggio's Cefalo was evidently acted on a polyscenic stage, the actors passing in view of the audience from one part to another . At a yet earlier period Italian writers in the learned tongue had taken as the subjects of their plays stories from classical legend and myth, and among these we find not only recognized tragedy themes such as the rape of Polyxena dramatized by Lionardo Bruni, but tales such as that of Progne put on the stage by Gregorio Corrado, both of which preceded by many years the work of Politian and Correggio.
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