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There were two panels by Moretti de Brescia in the second style of the master, called his silvery manner, on account of the delicate and transparent fluidity of the coloring; a 'Souper chez le Pharisien' and a 'Jesus ressuscite sur le rivage', which could only have come from one of the very old palaces of a very ancient family.
There were two panels by Moretti de Brescia in the second style of the master, called his silvery manner, on account of the delicate and transparent fluidity of the coloring; a 'Souper chez le Pharisien' and a 'Jesus ressuscite sur le rivage', which could only have come from one of the very old palaces of a very ancient family.
There were two panels by Moretti de Brescia in the second style of the master, called his silvery manner, on account of the delicate and transparent fluidity of the coloring; a 'Souper chez le Pharisien' and a 'Jesus ressuscite sur le rivage', which could only have come from one of the very old palaces of a very ancient family.
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