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Updated: August 26, 2026
Liszt's Credo was received with a storm of hisses, while Cherubini's was praised to the skies. I could not help thinking I was somewhat unjust, for Cherubini's work has merit of the people of Jerusalem who acclaimed Barrabas and demanded the crucifixion of Jesus. To-day Liszt's Credo is received with wild applause Victor Hugo did his part-while Cherubini's is never revived.
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