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Updated: May 19, 2025
Shakespeare's temptation is to push a willing metaphor beyond its strength, to make a passion over-inform its tenement of words; Milton cannot resist running a simile on into a fugue. One always fancies Shakespeare in his best verses, and Milton at the key-board of his organ. Shakespeare's language is no longer the mere vehicle of thought, it has become part of it, its very flesh and blood.
Shakespeare's temptation is to push a willing metaphor beyond its strength, to make a passion over-inform its tenement of words; Milton can not resist running a simile on into a fugue. One always fancies Shakespeare in his best verses, and Milton at the keyboard of his organ. Shakespeare's language is no longer the mere vehicle of thought; it has become part of it, its very flesh and blood.
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