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The text of Bellini's "Nachtwandlerin" could hardly be called literature, nor Theodor Mundt's fabulous novel, "Lebensmagie, Wirklichkeit und Traum." The latter I will mention later in the text. Only in "Maria" and in "Aebelö" however do these themes play an important part, while in the other works mentioned they serve properly only as adornment and episodic ornament.
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