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Updated: September 30, 2026
M. Eugène Montrosier, in a highly appreciative article on Daumier in L'Art for 1878, says that this same Philipon was le journalisme fait homme; which did not prevent him rather in fact fostered such a result from being perpetually in delicate relations with the government. He had had many horses killed under him, and had led a life of attacks, penalties, suppressions and resurrections.
The "Saltimbanques," reproduced in L'Art for 1878, is a page of tragedy, the finest of a cruel series. M. Eugène Montrosier says of it that "The drawing is masterly, incomparably firm, the composition superb, the general impression quite of the first order."